Inside Out (2015)

Animation, Adventure, Comedy
Amy Poehler, Phyllis Smith, Richard Kind, Bill Hader
After young Riley is uprooted from her Midwest life and moved to San Francisco, her emotions - Joy, Fear, Anger, Disgust and Sadness - conflict on how best to navigate a new city, house, and school.
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Inventive, gorgeously animated, and powerfully moving, Inside Out is another outstanding addition to the Pixar library of modern animated classics.
  • Disney/Pixar Company:
  • PG Rated:
  • IMDB link IMDB:
  • 19 Jun 2015 Released:
  • 03 Nov 2015 DVD Release:
  • N/A Box office:
  • Pete Docter (original story), Ronnie Del Carmen (o Writer:
  • Pete Docter, Ronnie Del Carmen Director:
  • N/A Website:

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Trailer:

One of the Best Movies Ever10/10
This is one of few movies I've gone into with high expectations and still came out blown away. I was anticipating this movie since I saw the trailer, but not as much as other upcoming movies. I still didn't think it'd be as fantastic as it was, but went to see it in theaters anyway.

Inside Out is superb. It's proof that when Disney and Pixar work together magical things happen. And I'm not joking about that, Inside Out is truly amazing. I was a little annoyed by the amount of praise it received for originality, because the idea itself isn't exactly original. It's been used before, its just not as common as other types of movies. That's not to say the rest of the movie isn't original, however.

All the main characters are fantastic, each one clearly and perfectly depicting their particular emotion throughout the movie. And yet somehow they don't feel flat or like they defined by a single emotion. They feel real. They actually work together which builds their relationship and really adds to their development. Outside the mental world, Riley feels very real. She's relatable, which really adds to the movie as no one can relate to only a single emotion. Some people I've heard complained about her sudden mood swings, but I have those all the time. I want to do something, then I don't, then I do again. It makes sense, and Pete Docter does an excellent job at this.

The way everything works in the brain is very interestingly and creatively explained, such as why songs get stuck in your head or how you forget things. It's all very fun to watch and see what Disney and Pixar came up with. It all makes sense without taking itself too seriously.

This is the only movie (other than the Iron Giant) that has ever made me cry. Making someone like me feel emotion is a true feat for a movie. And I wasn't the only one. I could hear my manly rugby- playing friends crying harder than I did next to me. This is truly an emotional movie. Even after having the ending spoiled to me I still cried under my 3D glasses.

Overall, Inside Out is a superb movie. I wouldn't say it's absolutely flawless, but it's pretty darn close. No rating other than a 10/10 could be justified for a movie like this. For children and adults alike, I recommend this work of art. It's funny, creative, emotional, well-acted, realistic, and very, very well done. If you don't/didn't enjoy this movie, then I truly feel sorry for you, because it is a masterpiece. If you can spare 94 minutes, then I recommend Inside Out, and if you don't have 94 minutes, make time to watch it. You won't regret it.
An artistic triumph9/10
For some reason, I couldn't quite catch this movie in theaters and I managed to watch it on an international flight. And boy, am I glad I did!

As far as concepts go, I was astonished at the amount of detail and coherence in execution. The visuals are absolutely stunning, the colors rich and vibrant, the characters utterly memorable and some of the most poignantly heart-breaking lines of dialogue ever spoken/sung in any movie, let alone feature animation. It is every bit a Disney-Pixar classic and as emphatic a return to form as it can get.

The story revolves around a young girl child who is happy in her world and has to suddenly acclimatize to another environment when her family has to move. Growing pains and social issues affect her while she grapples with increasingly complex situations, both at home and school. Meanwhile, the interplay between the five primary emotions inside her mind is both dynamic and fraught with compromises, much like how we deal with others everyday. As things come to a head and young Riley is about to make a life-changing decision, the events that follow leave a lasting impression, with an increased appreciation of the phrase "emotions are what makes us human"!

I recognized some dichotomies - for instance, Minnesota, usually perceived cold, is regarded as warm and comforting by Riley while San Francisco, renowned for its sunny weather, is seen as foreign and unwelcome. The other contrast I noticed was all five emotional figures (Joy, Sadness, Anger, Fear, and Disgust) do not always stay true to form, with Joy especially exhibiting nuances far beyond what her name implies - case in point, her touching admission preceding the last act (that entire sequence was too much for my eyes to take, by the way). All this might be considered a tad too much for young children to appreciate, but with time, they may probably realize how beautifully honest this movie was in trying to portray their growth and the underlying issues.

Certainly, it is not without flaws: the plot meandered a bit 2/3rds into the length; Joy's "A-ha" moment seems strangely contrived, despite the impact it had; the music was adequate but not truly captivating as in the case of other Pixar offerings. But the beauty of this medium is that it offers filmmakers opportunities to steer audiences to more engaging experiences; Pete Docter and Co accomplish this with aplomb.

In terms of cast and crew, the voice actors are superb selections - Lewis Black aces the Angry persona with generous dollops of sarcasm; Mindy Kaling is just perfect voicing Disgust; Richard Kind's performance as the imaginary Bing Bong is an absolute tear-jerker, while Kaitlyn Dias shows remarkable poise playing Riley. But it is Amy Poehler who steals the show in a coruscating blend of vivacity, vibrancy, and vicariousness. Her Joy is not an infallible leader, but one who accepts others in the face of challenging situations and plows ahead with inspiring positive energy. The animation left me spell-bound, especially the sequence where thoughts are shown to be abstracted, and are endowed with a lot of heart. The movie is fairly short, but a running time of 94 minutes is appropriate justice to a slightly heavy subject matter. The humor compensates with trademark Pixar staple of jokes, albeit intended for slightly more mature viewers. Pete Docter gave us the outstanding Up six years ago and ably accompanied by Ronnie del Carmen, has categorically demonstrated that he is a fabulous storyteller and a master entertainer.

Inside Out is every bit a Pixar fan's well-deserved reward for patience. Do yourself a favor and watch this magnificent gem.
Tears of Joy10/10
Before I start, I will say this; I'm writing this after coming back from a second viewing of Inside Out. Both viewings were out of choice. That's not a unique thing, but I very rarely watch films more than once at the cinema, mainly because life is short, or rather, life is too quick for me. But there's two main reasons why people watch some films more than once at the cinema, especially where I come from; either the film was interesting, detailed, or multi-layered and needs to be seen again to sink in properly, or, it was really, really good.

In this case, for me, it's the latter. That's not to say that the film isn't interesting, detailed or multi-layered, but the reason that was repeating in my head to see it again was 'it's really, really good.' But is it? Yes, yes of course it is... Speaking with a bunch of friends with whom I saw it the first time, a risky phrase was unanimously agreed upon, which was that we 'trust the Pixar team to do the right thing.' Needless (totally needless) to say that expectations were high, and frankly, they were surpassed.

Even though the film is what we come to expect from Pixar (the universal moral themes, the perfect balance between comedy and sadness, and visually stunning animation and action sequences), I didn't feel that I had seen it all before, and neither was it repetitive nor 'ordinary'. The film hits all the high notes, with perfect intonation, and with discipline and passion. As touched on before, the balance between humour and sadness is strong and impressive; the amount of emotions that the film displays and takes us through is varied and immersive, yet not overwhelming. The film executes such clever ideas with simplicity and ease, leaving us to feel for the characters rather than worry about the 'science' of it all, or even being worried about 'not getting it'.

The animation is constantly eye-drawing and detailed; the characters' glistening skin is particularly wondrous. And what great characters they are. Riley is brilliantly sympathetic throughout, even with her difficult mood swings, and the supporting characters are perfectly entertaining. One might think that the superficial nature of the characters (Anger is angry, Fear is always scared etc.) would become old quickly, however the fun never diminishes, thanks to a witty script, expressive animation, and very strong voice performances from the entire cast.

However, to top all this off, the real gem comes from the character of Joy, surely a strong contender in the list of Pixar's greatest characters. Even though we are inside the head of Riley for the majority of the film, and the events that drive the movie are essentially her reactions to her new world (moving from Minnesota to San Francisco), the story is Joy's. Being probably the most flawed character in the film (paradoxically, maybe), it's her journey we care about the most, and she ends up being the most in-depth character in the film, occasionally questioning her actions in the first half (well, the cynics will be), and becoming the most sympathetic by the end. Amy Poehler's outstanding performance makes Joy simultaneously the strongest and weakest character in the film (emotionally, that is).

After all of this, the freshness of the ideas, the simplified neuroscience, the technical brilliance (saying that, Giacchino's score is probably the most subtle thing in the film, exquisitely putting the finishing touches on the most emotional scenes), fleshed out characters and universal themes, all of this comes together simply to entertain us, to let us escape, and to release us emotionally, which it does by making us laugh and cry in an even and fair manner.

And you will laugh. And you will cry. And it is fun to do so. Thank god we're living in a time when Pixar is making these films.
Once again another beautiful animated movie gets such undeserved hatred.10/10
(WARNING THERE COULD BE SOME BRIEF SPOILERS!)

Okay seriously you guys what has been going on with IMDb lately? Has it been hacked for real? Or is there some sort of "Hate-group of Movies" that helps the negative reviews to be read just so we won't watch this movie? Before I was able to see this movie I refused to read any reviews here especially the negatives. And I can honestly say that I am extremely baffled to see how many negative reviews around here is on the top of usefulness! Was this movie seriously that bad? Is this really PIXAR's worst movie out there? And my answer to that is simply: No not at all! And I will tell why this isn't a bad movie.

Now I don't want any rant here as much as everyone else don't and I know most people hate "defenders" of certain movies but you know what I might as well be going to perform both of those things right now just so you get the idea why "Inside Out" isn't a bad movie.

First I do have a question to those who didn't like this movie: Have you totally forgotten how good a PIXAR movie usually presents? Yes I know it's been a long time since we had a remotely good Pixar movie, I wasn't impressed of Cars 2 and I despised Brave too (and I still think today it's an awful movie that didn't deserve its Oscar) although I didn't dislike Monsters University as much everyone else did but true it could have been better. And now 2 years without a Pixar movie we finally got to see their next feature "Inside Out" and I can honestly tell everyone that this is not only the best Pixar movie since Toy Story 3 it's also their most "personal" movie so far.

Now as much as I love watching Disney movies from WDAS I still love watching Pixar movies for their own unique presentations. Ever since "Ratatouille" they've had such unique ways for presenting unusual storytelling with the characters and the stories but still manage to be beautiful, likable and well-crafted without even messing up with annoying corny humor that ruins the important moments. And for a long time it finally got that craft after watching this movie and it also returned my love for Pixar again.

Now I do not want to go with deeper details about the characters since I think now most know how these characters was presented, but if I'd like to talk about something a little different I would love to ask again to those who didn't like the film about the "perfect" girl Riley. Could you at least describe what's so "perfect" about Riley. And what did you else expect? A poor or rich girl? Or a stereotype? Riley's a fine character and I was happy to see how Pixar managed to create their own girl without ever putting in stereotypical appearances for her and that's a plus. She isn't extremely girly or a spoiled brat either and to me she's one of the most original characters Pixar have created. Though I do wished we could have gotten a little more screen time with her.

I won't spoil the message but it is another big thing Pixar has given us this year. And I can tell that I was really worried if there ever were going to be a "good" message in this movie, and yet it does. I honestly can't see what makes it "too dark" for the children to understand it and as I said before this really is PIXAR's most personal movie so far and I'm not lying about this, I felt how a little tear from me wanted to get out when the movie was almost over. I think this year could be their most important message they've delivered us and I am very thankful to Pixar for showing us that. Oh and also the humor in the movie, did I tell you how enjoyable the humor in the movie was? I almost couldn't breathe in some parts and yes it was that funny it had a good balance of their usual Pixar humor with some very witty small jokes that appeared at times. Comedy movies have really disappointed me for the past years but I really had a great time with "Inside Out" I'd even dare to say this movie is even funnier than most newer comedy movies.

One last but not least thing to say: I really had a good time watching Inside Out and the audience loved it too and at the very end of the movie (it's not always this usual for my home country and this was no exception) everyone applauded and so did I and I frankly believe it deserves the credit it receives. And I'm just going to go ahead and say that I think it should be about time that an animated movie should win for Best Picture next year. No I'm 100% serious about this and I wouldn't be surprised at all it would make me very proud of the Oscars to pick this one as the winner. And hopefully can finally change the minds of millions of people who still believes that animated movies are just for children, and hopefully it ends soon when they see Inside Out.
Meet the Little Voices Telling You to Leave the Theater1/10
I am genuinely confused as to why people are calling this "Pixar's Best" or an original concept. Pixar has done far better than this and even the mediocre 'Brave' and 'Cars' are far better.

Not only is the concept of 'people controlling your brain' tired and used multiple times, they managed to make it even more boring. There is absolutely no nuance in this film. The characters, (joy, anger, fear, disgust, sadness), are a visual representation of their emotion. I mean seriously, do they understand subtlety at all? Anger literally catches on fire, sadness is blue, and joy looks like every boring same-faced cartoon princess. Not to mention none of the emotions look like Riley, the little girl. This is even more of a flaw when we later see the emotions in other characters heads, (Riley's parents, her teacher, etc.) who look just like the person whose brain they inhabit. Why would Riley be the only one whose emotions all look nothing like her? They took an old concept, made it incredibly literal, and then botched it up with inconsistencies.

Aside from the boring concept, this movie is way too complex and depressing for children. The plot is nearly nonexistent and the most constant thing throughout is joy and sadness attempting to get back to the control center of Riley's brain after being sucked out by accident. Other than that its all very dull and if it doesn't make you cry, you'll probably fall asleep. There are, from what I remember, no laugh out loud jokes. Way too much time went into world-building and showing off the various landscapes and rooms of Riley's mind for there to be any actual storyline. Everything felt extremely dragged out and joy and sadness ran into obstacle after obstacle trying to get back to the control center. Finally, Riley tries to run away and it just so happens that joy returns and fixes everything before she has the chance to get too far. Not only was it absurd for an 11 year old girl to try and take a bus back home, it was far too sad the way the whole thing was shown.

There were so many random characters introduced for 5 seconds which served no purpose other than to lighten the mood, and they failed at that too. Bing Bong the imaginary friend who was a furry pink elephant was out of place and his design was really uncreative. When he died, I honestly felt relieved not to hear his irritating voice any more. He had no personality or character development and therefore there wasn't any reason to feel sad when he died. Unles of course you're a little kid in which case the whole thing was way too heavy. Either way its a definite miss.

And for those saying only psychology majors can enjoy this movie, that's not true. I can't imagine anyone honestly liking this movie. Aside from the complete inaccuracy of anyone feeling only one emotion at a time, everything about this movie was casually ableist. The portrayal of depression as being something small and easily gotten over was incorrect and terrible. Even the advertisements ("Meet the Little Voices Inside Your Head") felt like an insensitive joke towards people with schizophrenia or other disorders who have auditory hallucinations.

Overall, I would not recommend this movie to anyone. Too depressing and confusing for kids, too boring and literal for adults, this movie is enjoyable by no one. Pixar did not please its intended audience, nor did it please the grown ups. The one redeeming factor was the animation, which was good but all the designs were so uncreative that good animation couldn't save it.