Goodfellas (1990)

Biography, Crime, Drama, Thriller
Robert De Niro, Ray Liotta, Joe Pesci, Lorraine Bracco
Henry Hill and his friends work their way up through the mob hierarchy.
Hard-hitting and stylish, GoodFellas is a gangster classic -- and arguably the high point of Martin Scorsese's career.
  • Warner Bros. Company:
  • R Rated:
  • IMDB link IMDB:
  • 19 Sep 1990 Released:
  • 26 Mar 1997 DVD Release:
  • N/A Box office:
  • Nicholas Pileggi, Nicholas Pileggi Writer:
  • Martin Scorsese Director:
  • N/A Website:

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Trailer:

One word: priceless10/10
If there was one word that I could use to describe Martin Scorsese's "Goodfellas": it'd be priceless.

A surreal and deeply fascinating take on life of Henry Hill who was involved in the Mob for three decades and his rise throughout the time span (and Nicholas Pileggi's book "Wiseguy").

There isn't a single moment in the movie where it doesn't miss a beat, you could only tell by the atmosphere of the time period and it seems so real.

The performances in this film simply make it even more memorable and how the characters are portrayed here especially by Ray Liotta, Robert De Niro, Joe Pesci (who won an Oscar for Best Supporting Actor), and Paul Sorvino are believable and easy to understand that they were a family, very close and tightly knit to the core. Also, how director Martin Scorsese lets the movie pace itself and keeps the viewer off guard in what happens deserves a lot of credit.
An Offer You Can't Refuse...10/10
"As far back as I can remember, I've always wanted to be a gangster." -- Henry Hill, Brooklyn, N.Y. 1955.

Gangsters are all around us. Everyone knows it, not everyone wants to accept it. "Goodfellas"--based on true events--explores the lives of gangsters, chronicling the events through the eyes of Henry Hill (Ray Liotta), who gets involved with the Mafia at a young age and continues his "career" throughout the film.

As he gets older, he marries and has children, but still works for the organized crime family, under mob boss Paulie (Paul Sorvino); and he is friends with Jimmy (Robert De Niro), a calm, steady gangster; and Tommy (Joe Pesci), a wild man with serious mental problems.

Eventually Henry's life goes down the gutter, leading to drug abuse and paranoia, that leads to other unfortunate incidents that will be ruined if I type any more about them.

"Goodfellas" is one of the best films I have ever seen. It's a tour de force of breathtaking images, witty scriptwriting, superb acting and realistic violence.

Robert De Niro gives one of his best performances -- ever -- as Jimmy, even if he's not in the film as much as you might be lead to believe from the front cover.

Joe Pesci is in this movie about as much as De Niro, maybe a bit more or less. But when he's on screen there's no doubting he's on screen--he's very hard to miss. A short, deranged, loud-mouthed man with something wrong in his head. Someone makes an insult toward him and he shoots them, and then laughs. It's quite disturbing. I am a huge fan of Pesci, and I tend to love his characters, but he really makes you feel sick towards his character in "Goodfellas," while at the same time taking a strange liking to him. That just goes to show how good of an actor Pesci is.

Ray Liotta is perfect as Henry Hill. I can't think of a better actor to play him. He captures a sense of innocence yet at the same time a feeling of violence. I love the scene where he walks over to a man's house with a regular expression on his face. "What do you want, f&*^&?" the man asks. Liotta continues walking, takes out a gun, and starts to continually beat the man in the skull with the butt of his gun. As Henry walks back to his car, his face is disturbing and his expression stays with you for a long, long time.

Martin Scorsese is a brilliant director and his work here is fabulous; it's been recreated by other directors (namely Paul Thomas Anderson in "Boogie Nights") and there's a reason: it's great stuff. He totally deserved to receive Best Director in 1990, but of course he didn't. (Rumor has it the Academy frowns on Scorsese's use of racial slurs in his work. Oh boo hoo, get over it.)

The movie is based on the true-crime memoirs of the real-life Henry Hill, whose novel with Nicholas Pileggi -- "Wiseguys" -- was adapted into a screenplay by Pileggi and Scorsese. The book itself was fantastic and insightful; the screenplay is even better. The dialogue is incredible.

Anyway, "Goodfellas" has to be one of the best films I've ever seen--a true modern classic that will be remembered for what it is: One of the greatest tales told on screen. It's an offer you can't refuse!
The greatest mob film still today10/10
Amazing is the one and only word to say for this film. I have always thought that Goodfellas was one of the greatest films ever made and set a landmark in the 90's or even in movie history. I bought Goodfellas last week and I got to watch the film a couple days ago. I really just couldn't lay my eyes off the film and everything about it was just simply worth watching. The acting was excellent, Ray Liotta, Robert DeNiro, Joe Pesci, Lorraine Bracco, and other actors did great and almost all of the characters they portrayed were 100% accurate. The camera-work also was brilliant and Martin Scorsese does a beautiful job by putting excellent camera shots in his films and I give him high credit for that. The soundtrack too is one of the best soundtracks ever made and the song "Layla," put chills down my spine of how great this song fitted the film. Overall, Martin Scorsese made his best film in my opinion and him and Nicholas Pileggi made an excellent and sharp script that made this, the greatest mob film still today.

Hedeen's Outlook: 10/10!! **** A+
A masterpiece exposing misguided loyalties and greed10/10
Scorcese & Pileggi's masterpiece on the life of Henry Hill as a Brooklyn NY mob wise-guy.

As much as the true events of Henry's life have more than likely been dramatised and glamourised to a certain extent, the essence of this film IMO is that it is still a brilliantly damning portrayal of the characters and lifestyle of mobsters.

The sham of the mafiosi is exposed - preaching loyalty, respect & principles - but when it comes down to it they are just two-bit criminals that'll stab each other in the back for money or power over others. Each of them has an inflated sense of self-worth and stature that comes with being a "wiseguy", breeding with it paranoia that others are not giving them the respect they deserve.

An example is De Niro's portrayal of Jimmy Conway. His outward persona is that of a calm and reasonable nature. But really he is a paranoid killer who at the drop of a hat would kill even his closest associates for money. I use associates rather than friends, as their relationships are of tolerance rather than kinship. Distrust, hate and jealousy through the forced smiles.

Interesting that given this, certain people envy their life-style and would have loved to have been a wiseguy. I personally couldn't think of anything worse that being tied for life with having to keep the likes of Tommy company, but whatever rocks your boat. Some people have actually paid to see The Dukes of Hazzard film, so I shouldn't be surprised.
The Definitive Film of the 1990s5/10

"GoodFellas" may be the most important film of the 1990s in the fact that its incredible success led to some of the other great movies of the decade. Films like "The Silence of the Lambs", "The Crying Game", "Pulp Fiction", "The Usual Suspects", "Fargo", and "L.A. Confidential" would have likely never been made as well as they were without the influence of Scorsese's "GoodFellas". The film is an intense study of a Mafia family over a 30-year stretch. Ray Liotta plays the half-Irish, half-Sicilian kid from Brooklyn whose only dream is to be a gangster. Although Liotta's story is at the heart of "GoodFellas", it is the supporting cast that is the film's calling card. Robert DeNiro gives one of his greatest performances, Paul Sorvino is quietly effective, and Lorraine Bracco (in an Oscar-nominated role) does the best work of her career. However, it is Joe Pesci (in his well-deserved Oscar-winning turn) who steals every scene as the one who does the "dirty work". This is probably the definitive film in a decade that produced many film-noir styled classics. 5 stars out of 5.